Ars Electronica Blog
What’s New
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Rethinking clothing with knitting, origami, and Magic Girls
Material research meets design: Lingxiao Luo shows how programmable, sustainable clothing interacts with its wearers.
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Data Art in dialogue: Artistic Interactions with Technology and Society
Data art transforms complex data into interactive, aesthetic works of art. In “Pulse of the EPO”, the Berlin duo Quadrature uses patent data to explore social and cosmic boundaries.
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Intersections of Technology, Society, and Environment in Mobility
In the sixth and last chapter of the FOUNDING LAB Fall Term, students delve into the intersection of technology, society, and policy through the lens of mobility
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A Conscientious Objector’s Unconventional Art Project
Artist Tom Bogaert on investing in “sin stocks” of arms manufacturers as an act of resistance against the logic of war
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Disinformation, manipulation and the art of storytelling
In the fifth chapter of the FOUNDING LAB Fall Term students examine the incentives, tactics, and mechanisms of online news construction and dissemination.
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Creative and playful learning for the future
AI, robotics, programming, and more: “missimo” brings basic digital education to rural elementary schools throughout Austria.
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Unveiling the biodiversity crisis through auditive art
An immersive audiovisual experience by the Ars Electronica Futurelab makes the loss of biodiversity tangible in an impressive way.
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Origami, robotics, and folding sound
World premiere for Oribotic Instruments with Anne Wichmann (She’s Excited), Miller Puckette, and Dan Wilcox at the Ars Electronica Festival.
Ars Electronica Festival 2023
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A Conscientious Objector’s Unconventional Art Project
Artist Tom Bogaert on investing in “sin stocks” of arms manufacturers as an act of resistance against the logic of war
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Watch the best of Futurelab 2023
Exciting and innovative, playful and informative: 2023 has marked another year of unique projects for the public by the Ars Electronica Futurelab and its partners.
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Playful AI for collective transformation
Trust through transparency: AI start-up Godot and the Ars Electronica Futurelab showcase the humane use of AI.
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Future stories to bridge generations
The quick card game Bridge 2040 by the Ars Electronica Futurelab serves as a playful approach for future discourse between young and old.
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Origami for social innovation: Ori Shelter
Foldable, affordable, self-sufficient and recycled – Chiara Croci shows at the Ars Electronica Futurelab how emergency shelters can be rethought.
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Resisting the logic of war: Objection
Hacking weaponry as an act of resistance: Ars Electronica Futurelab resident Tom Bogaert examined the intersections of politics, art and propaganda.
Focus: Media Art
Focus: Artificial Intelligence
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This was the third ArtScience Residency enabled by Art Collection Deutsche Telekom
We look back to one more year of the ArtScience Residency that was made possible through the support of the Art Collection Deutsche Telekom.
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Two projects, one signature
NAWAREUM – Sustainability Museum and Multimedia room in the hotel DAS MORGEN
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From OpenAI to AI Regulation
Artificial intelligence and ChatGPT are part of the question “Who owns the truth?” that this year’s Ars Electronica Festival is addressing.
Throwbacks
More stories and interviews
Interested in blog stories and interviews since 2011? You can find our previous blog stories in our blog archive.